5/5 stars
Recommended if you like: fantasy, sorcerers/sorceresses, Victorian era, fairytales, T. Kingfisher
Big thanks to Netgalley, Tor Books, and the author for an ARC in exchange for an honest review!
As usual, Kingfisher does not disappoint. Her books tend to fall into two categories: fairytale-esque or fantasy horror, and this one is one of the fairytale-esque ones. Like Nettle & Bone though, it does have some creepy elements.
The world this book is set in is a world of small magics. Sorcerers and sorceresses are known to put magic on things for petty reasons, such as to change hair color, cheat at cards, or get more money for a horse than it’s worth. Big magic, like controlling people, is thought to be an old wives’ tale. But Cordelia knows better. She may have led a sheltered life and not know what everyone else thinks of magic, but she knows what her mother can do, and her mother definitely utilizes the world’s perception of magic to her advantage.
This book is very much a story of escaping abuse, and the support system that’s necessary for doing so. Cordelia has lived her entire life under her mother’s thumb, and while her mother doesn’t lay a hand on her, she certainly prevents her from having any privacy and she does lay her magic on her. Hester recognizes something is off about Evangeline, Cordelia’s mother, immediately, as does Cordelia’s lady’s maid (Alice) at the Squire’s house. Hester wants to get rid of Evangeline before she can do something to her brother, but at the same time she wants to protect Cordelia. The scheme ends up involving multiple different people as they try to save Cordelia and the Squire. I really liked how everyone who was let in on what was going on immediately jumped on the bandwagon of getting rid of Evangeline, and even if they didn’t believe Cordelia about the magic at first, they definitely believed her when she said something was wrong.
Hester is very no-nonsense and pretty much takes things in stride. She clocks Evangeline as Bad News before the woman even arrives at the door, and her perception ends up being frighteningly correct. Once Evangeline and Cordelia move in, and Hester gets to see how Cordelia behaves, she immediately sets about inviting some of her closest confidantes to the house in order to figure out what’s going on and then get rid of Evangeline. I liked Hester and enjoyed seeing her interact with her friends. I also liked seeing the camaraderie she had with the staff of the house. She does harp a bit on being old, but if I’m not mistaken she’s only in her 50s, which is middle-aged, not old (and this is coming from someone in her 20s, you’re not old until you’re in your 70s!).
Cordelia is a young teen who’s been almost entirely isolated from the outside world and subject to her mother’s cruelties and whims for her entire life. When exposed to the world, she’s not only not quite sure how to act, but also terrified of getting something wrong and bringing her mother’s wrath down on her and the household. I liked seeing Cordelia get the chance to blossom and discover that she’s charming and has her own strengths. I also liked that she made friends with Hester and Hester’s friends, and that they took her under their wing not just for protection but because they liked her. Cordelia definitely grows into herself throughout the book and becomes quite bold. By the end, while she’s still scared of her mother, she understands that she’s her own person and that she does have the strength to fight against her, particularly when there are other people on her side.
The side characters were all lovely (not Evangeline) and I really enjoyed reading their interactions. Imogene is a longtime friend of Hester’s and is not only very no-nonsense, but she’s sharp as a tack and has a nice streak of ruthlessness in her. She has no qualms about suggesting they push Evangeline down the stairs to solve their problem. Penelope Greene was a wonderful character of a person and I enjoyed her not-too-over-the-top over-the-topness. She’s bold and doesn’t care what anyone else thinks. Richard (Lord Evermore) balances out the group with a gentle pragmatism. He and Hester used to be lovers, and Hester kind-of-but-not-totally regrets not marrying him when he offered. Regardless, he stands as a good solid presence in the group and is immediately ready to believe Hester and do what needs to be done. You can also tell he’s a man written by a woman because enduringly understanding of Hester and continues to love and support her, as well as the fact that (view spoiler). I also treasure Alice, Cordelia’s lady’s maid, who immediately clocks that something is wrong between Cordelia and Evangeline and immediately acts as Cordelia’s protector before going to Hester with her concerns. The girls strike up a friendship and I liked that they got along so well. Tom is the butler of the house and a longtime friend of Hester and the Squire. He also immediately notices something off and is willing to go all-in on a plan to get rid of Evangeline. Tom also has some funny jokes that subtly reference the “butler did it” trope, which I enjoyed.
While the geese take a while to come into the story, I do appreciate the geese. There are a bunch of goose families where I live and I love seeing the babies each year, but a lot of people seem to dislike geese on principle, so I like that the geese are the good guys in this story. They add a humorous element to the story as well, once it’s clear what their purpose is.
Overall, I greatly enjoyed this story and thought the characters were very strong. I liked seeing their relationships with one another and how they all interacted.
Reading Queen E Reviews 